![]() ![]() brother ( J. Christoph), wife ( A. M.), son ( W. F. = manualiter, without pedals)Įxtant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervisionĮxtant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. Tromba ( natural trumpet, clarino trumpet)īasso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu Natural horn, corno da caccia, corno da tirarsi, lituo Voice (includes parts for unspecified voices or instruments as in some canons)įlute ( traverso, flauto dolce, piccolo, flauto basso) Legend for abbreviations in "Scoring" column For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. Folia), are not usually indicated in this column. Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. "see" – composition renumbered in a later edition of the BWV." pasticcio" – indicating a composition with parts of different origin."in" – indicating the oldest known source for the composition."by" – indicating the composer of the composition (if different from Johann Sebastian Bach)."after" – indicating a model for the composition.Canons, Musical Offering, Art of Fugue (3 volumes).Masses, Passions, Oratorios (12 volumes).Cantatas (Vol. 1–34: church cantatas grouped by occasion Vol. 35–40: secular cantatas Vol. 41: Varia).The volumes group Bach's compositions by genre: Without such page number, the composition is only described in the "Critical Commentary" part of the volume. A page number, after a colon, refers to the "Score" part of the volume. New Bach Edition ( German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume. See scoring table below for the abbreviations used in this columnīach Gesellschaft-Ausgabe (BG edition BGA): numbers before the colon indicate the volume in that edition. Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. When the date is followed by an abbreviation in brackets (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. Reconstructions published in the NBE indicated by "R"ĭate associated with the completion of the listed version of the composition. ![]() sections indicated by Roman numerals (I–III) Chapters of the main catalogue indicated by Arabic numerals (1-13).Section in which the composition appears in BWV 2a: preceded by III: in Anh. III (spurious works) of BWV 1.preceded by II: in Anh. II (doubtful works) of BWV 1.preceded by I: in Anh. I (lost works) of BWV 1 (1950 first edition of the BWV).Anhang (Annex Anh.) numbers are indicated as follows: Songs, arias and Quodlibet, BWV 439–524 Legend to the tableīach-Werke-Verzeichnis ( lit. The second Anhang of the BWV catalogue also lists a few songs of doubtful authenticity. Further hymn settings and arias by Bach are included in his cantatas, motets, masses, passions, oratorios and chorale harmonisations (BWV 1–438 and later additions). The best known of these, " Bist du bei mir", was however not composed by Bach.Īn aria by Bach was rediscovered in the 21st century, and was assigned the number BWV 1127. hymn settings, although a few have a worldly theme. Most of the songs and arias included in this list are set for voice and continuo. Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet. ![]()
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